East of Eden Page 4

  As they walked back toward the house Cyrus turned left and entered the woodlot among the trees, and it was dusk. Suddenly Adam said, "You see that stump there, sir? I used to hide between the roots on the far side. After you punished me I used to hide there, and sometimes I went there just because I felt bad."

  "Let's go and see the place," his father said. Adam led him to it, and Cyrus looked down at the nestlike hole between the roots. "I knew about it long ago," he said. "Once when you were gone a long time I thought you must have such a place, and I found it because I felt the kind of place you would need. See how the earth is tamped and the little grass is torn? And while you sat in there you stripped little pieces of bark to shreds. I knew it was the place when I came upon it."

  Adam was staring at his father in wonder. "You never came here looking for me," he said.

  "No," Cyrus replied. "I wouldn't do that. You can drive a human too far. I wouldn't do that. Always you must leave a man one escape before death. Remember that! I knew, I guess, how hard I was pressing you. I didn't want to push you over the edge."

  They moved restlessly off through the trees. Cyrus said, "So many things I want to tell you. I'll forget most of them. I want to tell you that a soldier gives up so much to get something back. From the day of a child's birth he is taught by every circumstance, by every law and rule and right, to protect his own life. He starts with that great instinct, and everything confirms it. And then he is a soldier and he must learn to violate all of this--he must learn coldly to put himself in the way of losing his own life without going mad. And if you can do that--and, mind you, some can't--then you will have the greatest gift of all. Look, son," Cyrus said earnestly, "nearly all men are afraid, and they don't even know what causes their fear--shadows, perplexities, dangers without names or numbers, fear of a faceless death. But if you can bring yourself to face not shadows but real death, described and recognizable, by bullet or saber, arrow or lance, then you need never be afraid again, at least not the same way you were before. Then you will be a man set apart from other men, safe where other men may cry in terror. This is the great reward. Maybe this is the only reward. Maybe this is the final purity all ringed with filth. It's nearly dark. I'll want to talk to you again tomorrow night when both of us have thought about what I've told you."

  But Adam said, "Why don't you talk to my brother? Charles will be going. He'll be good at it, much better than I am."

  "Charles won't be going," Cyrus said. "There'd be no point in it."

  "But he would be a better soldier."

  "Only outside on his skin," said Cyrus. "Not inside, Charles is not afraid so he could never learn anything about courage. He does not know anything outside himself so he could never gain the things I've tried to explain to you. To put him in an army would be to let loose things which in Charles must be chained down, not let loose. I would not dare to let him go."

  Adam complained, "You never punished him, you let him live his life, you praised him, you did not haze him, and now you let him stay out of the army." He stopped, frightened at what he had said, afraid of the rage or the contempt or the violence his words might let loose.

  His father did not reply. He walked on out of the woodlot, and his head hung down so that his chin rested on his chest, and the rise and fall of his hip when his wooden leg struck the ground was monotonous. The wooden leg made a side semicircle to get ahead when its turn came.

  It was completely dark by now, and the golden light of the lamps shone out from the open kitchen door. Alice came to the doorway and peered out, looking for them, and then she heard the uneven footsteps approaching and went back to the kitchen.

  Cyrus walked to the kitchen stoop before he stopped and raised his head. "Where are you?" he asked.

  "Here--right behind you--right here."

  "You asked a question. I guess I'll have to answer. Maybe it's good and maybe it's bad to answer it. You're not clever. You don't know what you want. You have no proper fierceness. You let other people walk over you. Sometimes I think you're a weakling who will never amount to a dog turd. Does that answer your question? I love you better. I always have. This may be a bad thing to tell you, but it's true. I love you better. Else why would I have given myself the trouble of hurting you? Now shut your mouth and go to your supper. I'll talk to you tomorrow night. My leg aches."

  4

  There was no talk at supper. The quiet was disturbed only by the slup of soup and gnash of chewing, and his father waved his hand to try to drive the moths away from the chimney of the kerosene lamp. Adam thought his brother watched him secretly. And he caught an eye flash from Alice when he looked up suddenly. After he had finished eating Adam pushed back his chair. "I think I'll go for a walk," he said.

  Charles stood up. "I'll go with you."

  Alice and Cyrus watched them go out the door, and then she asked one of her rare questions. She asked nervously, "What did you do?"

  "Nothing," he said.

  "Will you make him go?"

  "Yes."

  "Does he know?"

  Cyrus stared bleakly out the open door into the darkness. "Yes, he knows."

  "He won't like it. It's not right for him."

  "It doesn't matter," Cyrus said, and he repeated loudly, "It doesn't matter," and his tone said, "Shut your mouth. This is not your affair." They were silent a moment, and then he said almost in a tone of apology, "It isn't as though he were your child."

  Alice did not reply.

  The boys walked down the dark rutty road. Ahead they could see a few pinched lights where the village was.

  "Want to go in and see if anything's stirring at the inn?" Charles asked.

  "I hadn't thought of it," said Adam.

  "Then what the hell are you walking out at night for?"

  "You didn't have to come," said Adam.

  Charles moved close to him. "What did he say to you this afternoon? I saw you walking together. What did he say?"

  "He just talked about the army--like always."

  "Didn't look like that to me," Charles said suspiciously. "I saw him leaning close, talking the way he talks to men--not telling, talking."

  "He was telling," Adam said patiently, and he had to control his breath, for a little fear had begun to press up against his stomach. He took as deep a gulp of air as he could and held it to push back at the fear.

  "What did he tell you?" Charles demanded again.

  "About the army and how it is to be a soldier."

  "I don't believe you," said Charles. "I think you're a goddam mealy-mouthed liar. What're you trying to get away with?"

  "Nothing," said Adam.

  Charles said harshly, "Your crazy mother drowned herself. Maybe she took a look at you. That'd do it."

  Adam let out his breath gently, pressing down the dismal fear. He was silent.

  Charles cried, "You're trying to take him away! I don't know how you're going about it. What do you think you're doing?"

  "Nothing," said Adam.

  Charles jumped in front of him so that Adam had to stop, his chest almost against his brother's chest. Adam backed away, but carefully, as one backs away from a snake.

  "Look at his birthday!" Charles shouted. "I took six bits and I bought him a knife made in Germany--three blades and a corkscrew, pearl-handled. Where's that knife? Do you ever see him use it? Did he give it to you? I never even saw him hone it. Have you got that knife in your pocket? What did he do with it? 'Thanks,' he said, like that. And that's the last I heard of a pearl-handled German knife that cost six bits."

  Rage was in his voice, and Adam felt the creeping fear; but he knew also that he had a moment left. Too many times he had seen the destructive machine that chopped down anything standing in its way. Rage came first and then a coldness, a possession; noncommittal eyes and a pleased smile and no voice at all, only a whisper. When that happened murder was on the way, but cool, deft murder, and hands that worked precisely, delicately. Adam swallowed saliva to dampen his dry throat. He could t
hink of nothing to say that would be heard, for once in rage his brother would not listen, would not even hear. He bulked darkly in front of Adam, shorter, wider, thicker, but still not crouched. In the starlight his lips shone with wetness, but there was no smile yet and his voice still raged.

  "What did you do on his birthday? You think I didn't see? Did you spend six bits or even four bits? You brought him a mongrel pup you picked up in the woodlot. You laughed like a fool and said it would make a good bird dog. That dog sleeps in his room. He plays with it while he's reading. He's got it all trained. And where's the knife? 'Thanks,' he said, just Thanks.' " Charles spoke in a whisper, and his shoulders dropped.

  Adam made one desperate jump backward and raised his hands to guard his face. His brother moved precisely, each foot planted firmly. One fist lanced delicately to get the range, and then the bitter-frozen work--a hard blow in the stomach, and Adam's hands dropped; then four punches to the head. Adam felt the bone and gristle of his nose crunch. He raised his hands again and Charles drove at his heart. And all this time Adam looked at his brother as the condemned look hopelessly and puzzled at the executioner.

  Suddenly to his own surprise Adam launched a wild, overhand, harmless swing which had neither force nor direction. Charles ducked in and under it and the helpless arm went around his neck. Adam wrapped his arms around his brother and hung close to him, sobbing. He felt the square fists whipping nausea into his stomach and still he held on. Time was slowed to him. With his body he felt his brother move sideways to force his legs apart. And he felt the knee come up, past his knees, scraping his thighs, until it crashed against his testicles and flashing white pain ripped and echoed through his body. His arms let go. He bent over and vomited, while the cold killing went on.

  Adam felt the punches on temples, cheeks, eyes. He felt his lip split and tatter over his teeth, but his skin seemed thickened and dull, as though he were encased in heavy rubber. Dully he wondered why his legs did not buckle, why he did not fall, why unconsciousness did not come to him. The punching continued eternally. He could hear his brother panting with the quick explosive breath of a sledgehammer man, and in the sick starlit dark he could see his brother through the tear-watered blood that flowed from his eyes. He saw the innocent, noncommittal eyes, the small smile on wet lips. And as he saw these things--a flash of light and darkness.

  Charles stood over him, gulping air like a run-out dog. And then he turned and walked quickly back, toward the house, kneading his bruised knuckles as he went.

  Consciousness came back quick and frightening to Adam. His mind rolled in a painful mist. His body was heavy and thick with hurt. But almost instantly he forgot his hurts. He heard quick footsteps on the road. The instinctive fear and fierceness of a rat came over him. He pushed himself up on his knees and dragged himself off the road to the ditch that kept it drained. There was a foot of water in the ditch, and the tall grass grew up from its sides. Adam crawled quietly into the water, being very careful to make no splash.

  The footsteps came close, slowed, moved on a little, came back. From his hiding place Adam could see only a darkness in the dark. And then a sulphur match was struck and burned a tiny blue until the wood caught, lighting his brother's face grotesquely from below. Charles raised the match and peered around, and Adam could see the hatchet in his right hand.

  When the match went out the night was blacker than before. Charles moved slowly on and struck another match, and on and struck another. He searched the road for signs. At last he gave it up. His right hand rose and he threw the hatchet far off into the field. He walked rapidly away toward the pinched lights of the village.

  For a long time Adam lay in the cool water. He wondered how his brother felt, wondered whether now that his passion was chilling he would feel panic or sorrow or sick conscience or nothing. These things Adam felt for him. His conscience bridged him to his brother and did his pain for him the way at other times he had done his homework.

  Adam crept out of the water and stood up. His hurts were stiffening and the blood was dried in a crust on his face. He thought he would stay outside in the darkness until his father and Alice went to bed. He felt that he could not answer any questions, because he did not know any answers, and trying to find one was harsh to his battered mind. Dizziness edged with blue lights came fringing his forehead, and he knew that he would be fainting soon.

  He shuffled slowly up the road with wide-spread legs. At the stoop he paused, looked in. The lamp hanging by its chain from the ceiling cast a yellow circle and lighted Alice and her mending basket on the table in front of her. On the other side his father chewed a wooden pen and dipped it in an open ink bottle and made entries in his black record book.

  Alice, glancing up, saw Adam's bloody face. Her hand rose to her mouth and her fingers hooked over her lower teeth.

  Adam dragfooted up one step and then the other and supported himself in the doorway.

  Then Cyrus raised his head. He looked with a distant curiosity. The identity of the distortion came to him slowly. He stood up, puzzled and wondering. He stuck the wooden pen in the ink bottle and wiped his fingers on his pants. "Why did he do it?" Cyrus asked softly.

  Adam tried to answer, but his mouth was caked and dry. He licked his lips and started them bleeding again. "I don't know," he said.

  Cyrus stumped over to him and grasped him by the arm so fiercely that he winced and tried to pull away. "Don't lie to me! Why did he do it? Did you have an argument?"

  "No."

  Cyrus wrenched at him. "Tell me! I want to know. Tell me! You'll have to tell me. I'll make you tell me! Goddam it, you're always protecting him! Don't you think I know that? Did you think you were fooling me? Now tell me, or by God I'll keep you standing there all night!"

  Adam cast about for an answer. "He doesn't think you love him."

  Cyrus released the arm and hobbled back to his chair and sat down. He rattled the pen in the ink bottle and looked blindly at his record book. "Alice," he said, "help Adam to bed. You'll have to cut his shirt off, I guess. Give him a hand." He got up again, went to the corner of the room where the coats hung on nails, and, reaching behind the garments, brought out his shotgun, broke it to verify its load, and clumped out of the door.

  Alice raised her hand as though she would hold him back with a rope of air. And her rope broke and her face hid her thoughts. "Go in your room," she said. "I'll bring some water in a basin."

  Adam lay on the bed, a sheet pulled up to his waist, and Alice patted the cuts with a linen handkerchief dipped in warm water. She was silent for a long time and then she continued Adam's sentence as though there had never been an interval, "He doesn't think his father loves him. But you love him--you always have."

  Adam did not answer her.

  She went on quietly, "He's a strange boy. You have to know him--all rough shell, all anger until you know." She paused to cough, leaned down and coughed, and when the spell was over her cheeks were flushed and she was exhausted. "You have to know him," she repeated. "For a long time he has given me little presents, pretty things you wouldn't think he'd even notice. But he doesn't give them right out. He hides them where he knows I'll find them. And you can look at him for hours and he won't ever give the slightest sign he did it. You have to know him."

  She smiled at Adam and he closed his eyes.

  Chapter 4

  1

  Charles stood at the bar in the village inn and Charles was laughing delightedly at the funny stories the night-stranded drummers were telling. He got out his tobacco sack with its meager jingle of silver and bought the men a drink to keep them talking. He stood and grinned and rubbed his split knuckles. And when the drummers, accepting his drink, raised their glasses and said, "Here's to you," Charles was delighted. He ordered another drink for his new friends, and then he joined them for some kind of deviltry in another place.

  When Cyrus stumped out into the night he was filled with a kind of despairing anger at Charles. He looked on the road for his so
n, and he went to the inn to look for him, but Charles was gone. It is probable that if he had found him that night he would have killed him, or tried to. The direction of a big act will warp history, but probably all acts do the same in their degree, down to a stone stepped over in the path or a breath caught at sight of a pretty girl or a fingernail nicked in the garden soil.

  Naturally it was not long before Charles was told that his father was looking for him with a shotgun. He hid out for two weeks, and when he finally did return, murder had sunk back to simple anger and he paid his penalty in overwork and a false theatrical humility.

  Adam lay four days in bed, so stiff and aching that he could not move without a groan. On the third day his father gave evidence of his power with the military. He did it as a poultice to his own pride and also as a kind of prize for Adam. Into the house, into Adam's bedroom, came a captain of cavalry and two sergeants in dress uniform of blue. In the dooryard their horses were held by two privates. Lying in his bed, Adam was enlisted in the army as a private in the cavalry. He signed the Articles of War and took the oath while his father and Alice looked on. And his father's eyes glistened with tears.

  After the soldiers had gone his father sat with him a long time. "I've put you in the cavalry for a reason," he said. "Barrack life is not a good life for long. But the cavalry has work to do. I made sure of that. You'll like going for the Indian country. There's action coming. I can't tell you how I know. There's fighting on the way."

  "Yes, sir," Adam said.

  2

  It has always seemed strange to me that it is usually men like Adam who have to do the soldiering. He did not like fighting to start with, and far from learning to love it, as some men do, he felt an increasing revulsion for violence. Several times his officers looked closely at him for malingering, but no charge was brought. During these five years of soldiering Adam did more detail work than any man in the squadron, but if he killed any enemy it was an accident of ricochet. Being a marksman and sharpshooter, he was peculiarly fitted to miss. By this time the Indian fighting had become like dangerous cattle drives--the tribes were forced into revolt, driven and decimated, and the sad, sullen remnants settled on starvation lands. It was not nice work but, given the pattern of the country's development, it had to be done.